Aziz, Degree Show

Mohammad Abdul Aziz

Albukhary Foundation Scholar

Artist Statement

“God is beautiful, He loves beauty”, the Prophet Muhammad

Islamic geometry provides the viewer with a chance to be in a state of visual dhikr (the remembrance of God/repetition of God’s name) providing that he/she is sincere and humble and approaches it with an open heart. This geometry is an expression of the sacred and shows that everything emanates from the centre and everything is returned to the centre. This is a central aspect of the remembrance of God, of dhikr, in which repetition, another aspect of geometry, particularly that based on regular grids, is also a key element.

“Unquestionably, by the remembrance of Allah, hearts are assured." Qur’an 13:28

Being a Hafiz of the Quran (someone who can recite the Qur’an by heart) and having studied Islamic sciences I find it very important to reflect this in my work so I have chosen two fields of Islamic geometry to work with.

  1. Zellij: zellij is mosaic tilework made from individually chiselled geometric tiles set into a plaster base. Although zellij patterns come in a large variety, one pattern which stands out the most is that of the Moorish rosette which covers vast spaces with its great ability to make beautiful designs using precise geometries. The construction for almost all of the rosette patterns is based, proportionally, on the measurements taken from some of God’s larger creations, for example, the planets Jupiter and Mars.

The relationship between the primary two circles in zellij (proportionally Jupiter and Mars) creates the shapes for the skeleton of Moorish zellij patterns, while the rest of the ‘body’, that is, the pattern, grows from this skeleton. I would say that this is a perfect example of how God’s work is visually represented in architectural and craft beauty. Other types of zellij that are based on grids are also perfect examples of repetitive dhikr, that is when it is possible to reach closeness to God through repeatedly vocalising God’s name. This is similar to showing visually that everything comes from the centre and returns to it, a constant reminder of both our origin and our final abode.

"Indeed, we belong to Allah, and indeed to Him, we will return." Quran 2:156

  1. Girih Patterns (Persian for Knotted patterns): many of these are found in the eastern Islamic world e.g. Iran and India as well as from the Seljuk dynasty of Ottoman Turkey. These patterns hold a very distinctive look, mainly drawn from fivefold or tenfold grids based on the pentagon – another perfect example where God’s work is reflected in architectural beauty. The pentagon can be found in small creations like flowers e.g. Blue-eyed-Mary and Yellow Avens.

The pentagon can also be found in God’s larger creations e.g. The dance of Earth and Venus around the Sun.

Since the example of the pentagon is so easily found in Nature on both the macrocosmic and the microcosmic level, I felt the importance of creating the girih patterns on these two different levels, the micro-level within the macrocosmic level, either of the same family of symmetry or of a different symmetry but with the same numeral base.

Ultimately, Islamic geometry provides the viewer with a sense of the sacred and thus with remembrance, true remembrance of the One God. It is a reminder of worship or one may say that the geometry is “worship itself” if viewed with the correct intention. I believe that mosques and other holy places should always be beautified with arts and crafts that bring the worshipper closer to the Divine.


Mohammad Abdul Aziz is a scholar in Islamic sciences, theology and jurisprudence. The initial stage of his Islamic studies began in Bangladesh, where he was mainly focussing on memorising the holy Qur’an. At the age of 9 Aziz had completed his memorisation, acquiring the title of Hafiz. His early interest in Islamic art began when he was introduced to the two scripts of Nasta’liq and Naskh during his years in Bangladesh. This initial interest, motivated him to pursue his path in Islamic traditional arts, including the arts of geometry and Islimi. He later graduated from the Institute of Islamic Education, Dewsbury, having learnt the seven dialects of the holy Qur’an and Islamic sciences, receiving the title of Qari’ & Alim.


Email az1z.mcm.aa[at]
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